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中图分类法:
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J05 版次： |
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著者:
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Durcan, Sarah, |
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题名:
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Memory and intermediality in artists' moving image / / , |
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载体形态:
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x, 250 pages : illustrations (some color) ; 22 cm. |
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内容提要:
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This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the echo-chamber, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media. |
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主题词:
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Experimental films. |
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主题词:
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Historiography. |
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主题词:
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Film installations (Art) History and criticism. |
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主题词:
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Memory in art. |
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主题词:
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Memory in motion pictures. |
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主题词:
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Art and history. |
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主题词:
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Installations filmiques (Art) Histoire et critique. |
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主题词:
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Me?moire au cine?ma. |
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主题词:
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Art et histoire. |
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主题词:
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Memory in motion pictures. |
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主题词:
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Historiography. |
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主题词:
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Experimental films. |
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主题词:
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Art and history. |
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主题词:
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Film installations (Art) |
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主题词:
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Memory in art. |