中图分类法:	J909.712 版次：
著者:	Lehmann, Hauke,
题名:	Affect poetics of the New Hollywood : [ Suspense, paranoia, and melancholy /] / ,
载体形态:	vii, 274 pages : illustrations ; 24 cm.
内容提要:	How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history ? the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences ? to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, the book projects an original conception of film history: as an affective history which can be re-written up to the present day.--Publisher for German edition.
主题词:	Motion picture audiences Psychology.
主题词:	Motion pictures Psychological aspects.
主题词:	Motion pictures History 20th century. United States