中图分类法:	J809.478 版次：
题名:	Forays into contemporary South African theatre : [ devising new stage idioms /] / ,
载体形态:	xvi, 346 pages ; 25 cm.
内容提要:	In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the "protest" theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort's multivocal edited volume documents some of the various ways in which the "rainbow" nation has forged these innovative stage idioms. This book's underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multi-faceted theatrical representations.
主题词:	Theater South Africa.
主要责任者:	Maufort, Marc,
主要责任者:	Maufort, Jessica,