中图分类法:	J809.561 版次：
著者:	Marino, James J.
题名:	Owning William Shakespeare : [ the King's Men and their intellectual property /] / ,
出版发行:	出版地： Philadelphia : 出版社： University of Pennsylvania Press, 出版日期： 2011.
载体形态:	204 pages : illustrations ; 24 cm
内容提要:	"Owning William Shakespeare tells the story of early modern drama as intellectual property. It does so with energy, urgency, passion, and originality: it points out details about book history and publication that have never been articulated before, redefining the field in important ways."--Tiffany Stern, University College, Oxford. Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues: other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to Shakespeare did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage. --Book Jacket.
主题词:	Intellectual property History 16th century. England
主题词:	Intellectual property History 17th century. England
主题词:	Transmission of texts History 16th century. England
主题词:	Transmission of texts History 17th century. England
主题词:	Repertory theater History 16th century. England
主题词:	Repertory theater History 17th century. England
主题词:	Theatrical companies History 16th century. England
主题词:	Theatrical companies History 17th century. England